
Young Giannis escapes from prison and hides in a deserted factory, with the dream of traveling far away. At the factory, a group of university students rehearse Shakespeare's Midsummer Night's Dream, and a girl from the group discovers him. The students accept him into their group, offering him a part in the play as well. One night, three young men try to destroy the props for the theatrical performance, and Giannis tries to stop them, ending up back in prison. The students manage to get him out of jail, and he embarks on a ship and leaves far away.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.