'Zondvloed (Flood)' — MiamisFF Review: Between a Flood and a Hard Place
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.

A young travel writer wagers with friends and sets off with only maps—beginning a bus-only journey from Delhi toward London, swept up in Asia’s heat and change.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
This anti-love young adult movie includes mature topics and dialogue.