The Devil's Cauldron, a city where depravity and violence has forged a society in which only the lethal and callous can survive, two young men who possess the intellect and ferocity to flourish, carve a name for themselves as the most efficient and unstoppable hit men. Side by side, these two brothers are the deadliest killers, feared by even the most evil criminals. But when a woman of rare beauty mysteriously enters the brother's lives she blinds them with her sweet promises and turns them against each other, resulting in an epic battle that threatens to bring the Devil's Cauldron to the brink of destruction.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
