What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Brutal cop, DS Mike Blake is no stranger to violence. He finds himself caught in a web of conspiracy, corruption, deceit and murder when investigating the cold case of a Politician’s missing daughter. If he solves the case, the elite in power will make sure he won’t be prosecuted for the death in custody of a young black teenager. Solving the case will lead to his redemption, but ultimately he could pay the price and his life will spiral into a deeper hell. Which leads him to a Rock Star who has sold his soul to the Devil, and Gangsters who want to protect a secret.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.