
A fickle and unfaithful husband, Antonis, tries to drive his rich wife crazy so that he can get his hands on her fortune, with the chauffeur and his lover as accomplices. In order to succeed, he fakes his own death, but fate, as usual, plays its own game. A game in which an old friend of his wife is also involved, a reporter on the police beat, Bekas, who is trying to solve a mystery in which strange phenomena come one right after the other, and doubts never seem to end.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.