Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Produced in January 1974, just after the death of her husband Giovanni Pirelli, the last film by Marinella Pirelli, austere and moving, appeared as an attempt to exorcise this event and the elaboration of grief. In the double role of actress and director, the artist records herself in movement without controlling the image. - Érik Bullot 16mm, digital transfer, colour, sound
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.