Extreme Quarantine: “The Last Days” Shows Us How Much Worse It Could Be
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.

Chini Bolsón, an enigmatic street photographer from Buenos Aires, from the mystery of his anonymity, Chini captures the essence of Buenos Aires life, without focusing solely on beauty but exploring the eccentric, the raw and the authentic. Accompanying him through the streets of the city, we witness how he intertwines with the people and how his lens captures fleeting moments that reveal the soul of Buenos Aires.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.