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Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.