Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

With a broken car, a camera in hand and a half-built house in the distance, a photographer finds herself facing a deeper and more unsettling part of her desires than she hoped.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.