“Driveways”
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

A young man from Rio who, down on his luck in the capital, takes a job as manager of a sugar mill in the country, where he finds love with the mill owner’s daughter. The former manager, who had been demoted for incompetence, becomes jealous and tries to sabotage the mill.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The external threat invaded the domestic environment at the most valuable moment: grieving.
This Agni Kai looks cool and is funny as well!