"Dorian, a cinematic perfume" is based on Oscar Wilde’s 19th century novel "The Picture of Dorian Gray" and its themes of decadence, narcissism and the meaning of art. I have interpreted the story and it’s queer undertones by casting Dorian as a young woman discovered by a fashion photographer, then catapulted into the world of empty celebrity. She falls under the tutelage of a famous drag queen and becomes a nightclub luminary, constantly followed by the paparazzi. These media images become the infamous portrait, grotesquely mutating as she grows more beautiful and famous, culminating in her own narcissistic destruction.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
