Recorded Live at Wolf Trap National Park for the Performing Arts, July 25, 2004 1. Rocking Down The Highway 2. Jesus Is Just Alright 3. Dangerous 4. Another Park, Another Sunday 5. People Gotta Love Again 6. Spirit 7. Steamer Lane (instrumental) 8. South City Midnight Lady 9. Snake Man 10. Nobody 11. Five Corners 12. Rainy Day Crossroad Blues 13. Clear As The Driven Snow 14. Neal's Fandango 15. Takin' It To The Streets 16. Don't Start Me Talkin' 17. Take Me In Your Arms 18. Little Bitty Pretty One 19. Black Water 20. Long Train Runnin' 21. China Grove 22. Without You 23. Listen To The Music
Director
Tom Johnston
Guitars / Vocals
Pat Simmons
Guitar / Vocals
Keith Knudsen
Drums / Vocals
John McFee
Guitar / Dobro / Pedal Steel / Slide Guitar
Michael Hossack
Drums / Percussion
Guy Allison
Keyboard / Vocals
Marc Russo
Saxophones
M.B. Gordy
Percussion
Skylark
Bass / Vocals
Marvin McFadden
Trumpet
Mick Gillette
Trombone / Trumpet
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.