
Ava's 18th birthday goes wrong as terror roams the neighborhood. Can DeWayne save her?
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets