Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

Based on the hit play. A British Government Minister puts forward a bill to battle filth in the UK but that doesn't stop him having an affair with both his secretary, Miss Parkyn and Wendy, the wife of a high-up reporter. Opponents to the bill - mainly some hippy girls, lead by Johnny, kidnap the Minister's best friend and co-founder of the bill, Barry Ovis just as he was getting married to his fiancee, Joan. Barry escapes, just before the police raid the hippies hiding place - to claim that Ovis was in a orgy and get the bill defeated - and dashes back to his and Joan's flat followed by Inspector Ruff, who is investigating the kidnap and Damina, one of the hippies. Meanwhile, the Minister is also trying to use the flat to carry on his affairs with both Wendy and Miss Parkyn. The Minister, Barry & Joan tries to keep the truth from Ruft, Wilfred Potts, an old and honest MP, Birdie, the Minister's wife and stop the hippies, and this causes no end of trouble.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?