Why you Must Stream Netflix's new French Horror 'The Swarm'
A film about family and sacrifice... and carnivorous locusts coming after you.
Don't Deliver Us from Evil (1971)
Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.
Rating:
Genre:Horror, Drama
Written By:Joël Séria
In Theaters:10/13/1971
Box Office:
Runtime:102 minutes
Studio:Société Générale de Production, Productions Tanit, Les Films Fernand Rivers
Articles You May Like
Bring Her Back: the Psychological Threat and How to Grieve Properly
The external threat invaded the domestic environment at the most valuable moment: grieving.
The Bleak Reality of “Lost Girls”
A working class mom searches for her daughter.
Not So Quiet on the Western Front
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
Upcoming Movies with Hispanic Representation in 2021
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.