Don't Break Me 49 (2024)

'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.

Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.

A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.