Revisiting 'Rocketman'
Falling in love with 'Rocketman" all over again.

The insatiable Don Giovanni is not picky: anyone will do, from Donna Elvira to her maid and the bride at a country wedding. But when one of his conquests ends in murder, he sets off a chain of events that takes him forever closer to his bitter fate. For the first time, Prague’s Estates Theatre, where Don Giovanni premiered some 230 years ago, calls on a director from overseas to stage Mozart's opera. Will Alexander Mørk-Eidem’s new production break with its long tradition of the famous rake’s last day? Is his Giovanni an incorrigible slave to his instincts? Is he a provocateur? Or a mere catalyst around whom Mozart thoroughly depicts the constantly changing universe of female emotions?
Falling in love with 'Rocketman" all over again.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
If you want to feel the rush, you have to take the risk.