When a pet sitter goes to a house expecting to watch a dog but is instead greeted by a haunting man who believes himself to be a canine, the sitter must unravel the dark secrets surrounding the man and his owner, survive a day of oddities, and all in the name of providing for her economically vulnerable family.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Korean culture shines in this Canadian export.
