Blue Peter presenter Yvette Fielding takes Peter Davison, Mark Strickson and Janet Fielding on a trip through BBC Television Centre, meeting up with old friends and colleagues as they reminisce on their time spent working in the iconic building. With film traffic supervisor Neville Withers, assistant floor manager Sue Hedden, costume designer Odile Dicks-Mireaux, production assistant Jane Ashford, make-up artists Joan Stribling and Carolyn Perry, former BBC producer and writer Richard Marson, senior camera supervisor Alec Wheal, exhibitions assistant Bob Richardson and videotape engineer Simon Anthony.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
