The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.