Laugh Out Loud with The Loud House Movie
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.

Both raised with Catholicism to varying degrees and both devout femme dykes, their relationship weaves the symbolism and practices of the church with BDSM and service to mine the complicated, painful history of religion’s relationship to queerness for intense explorations in suffering and intimacy. Eroticising shame has always been used as a powerful tool for healing and freedom in queer spaces, expanding what sex and intimacy can mean and be outside of straight normatively leads to deep explorations in bonding and trust outside of societally prescribed doctrine. Sex can mean and be and do many things and it can be written and rewritten according to need, a tool used to explore rather than something functional and fixed.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.