Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

Both raised with Catholicism to varying degrees and both devout femme dykes, their relationship weaves the symbolism and practices of the church with BDSM and service to mine the complicated, painful history of religion’s relationship to queerness for intense explorations in suffering and intimacy. Eroticising shame has always been used as a powerful tool for healing and freedom in queer spaces, expanding what sex and intimacy can mean and be outside of straight normatively leads to deep explorations in bonding and trust outside of societally prescribed doctrine. Sex can mean and be and do many things and it can be written and rewritten according to need, a tool used to explore rather than something functional and fixed.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
The movie behind the space toy from the 'Toy Story' film series is finally here.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.