Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

Olivier, a young man, falls in love with Marion Renoir, theatre and screen star, to the despair of his fiancée Antonia. The latter goes to find the actress and asks her to invent a ploy to help her win back her lover's heart. The actress gets caught up in the game and ventures into an intrigue where simulation and sincerity are dangerously confused.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
There is no aspect of this film that falls short, except perhaps in minor ways.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.