Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Disco Europe poster

Disco Europe 

Ambiental documentary short, takes a closer, deeper look at the wild parties on the central beach in Split, Croatia, that started to take place every night after the clubs close. The filming took place over several nights, all summed up to six minutes to see glimpses of a giant party of young tourists with no control or authority (the film took place before the police started to make the parties a bit more orderly). Feelings of repetition until decline comes to the forefront as every single party, like a wave on the beach, happens in the same fashion, over and over again while the 'wave' becomes quieter with each stroke.
- / 5
PopScore
Representation

Pictures and Videos

Incluvie Gala

Movie Information

Ambiental documentary short, takes a closer, deeper look at the wild parties on the central beach in Split, Croatia, that started to take place every night after the clubs close. The filming took place over several nights, all summed up to six minutes to see glimpses of a giant party of young tourists with no control or authority (the film took place before the police started to make the parties a bit more orderly). Feelings of repetition until decline comes to the forefront as every single party, like a wave on the beach, happens in the same fashion, over and over again while the 'wave' becomes quieter with each stroke.

Rating:
Genre:Documentary
Directed By:Marko Plejić
Written By:Marko Plejić
In Theaters:
Box Office:

Runtime:7 minutes
Studio:Kino Klub Split

Cast

Director

Marko Plejić

Director

noImg
cast

Dragan Jeremić

Himself

Articles You May Like

The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik