DIS-EASE is a feature-length documentary about how we imagine disease, and how that affects what we do when we encounter illness, outbreaks, doctors, treatments, and disability in real life. It dives deep into the weird, wild archives of medical imaging, public health messaging, and pop-culture outbreak narratives to understand how ideas have moved between science, science fiction, and political ideology over the past century. (Yes, this is a film that covers both antibiotic resistance and the persistence of zombie apocalypse films.) Ultimately, DIS-EASE is a provocation to re-think how we define both the "public" and "health" in public health - who is included, what counts as care, and what it means to be sick or well in a world perpetually on the brink of collapse.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
