
DIRT is a quirky comedy about two simple-hearted brothers who, when abandoned by the death of their mother, search to find a replacement Mom. Junior and Scooter find themselves ill-prepared for life on their own. To ease their suffering, they search the desert dregs of West Texas for a woman to take Mom's place. Due to their social disability, they are forced to kidnap a woman from a Piggly Wiggly supermarket. They soon realize that they have gotten more than they bargained for when their "victim," Dede, turns out to be the maltreated wife of an abusive Texas Ranger. She quickly turns her misfortune into theirs, convincing the brothers to steal her baby away from her sadistic husband. Life gets even more complicated for these simple-hearted boys when the vengeful Ranger tracks them down bent on keeping them from living happily ever after.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.