Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

A young Nigerian student and poet, abused and neglected by his cruel stepmother, finds solace in friendship. His wrongful arrest tests his resilience. A story of survival and redemption.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation