Nothing can help. Leopold's cholesterol levels have finally broken through the sound barrier and it is his Steffi, of all people, whose cooking is to blame for everything, who has to put him on a strict diet. When Steffi's best friend Sophie is left without a husband and money overnight, the two of them draw the consequences. As "Dinner for Two", they want to conjure up exclusive gourmet menus in posh households for a lot of money - and get into some serious turmoil in the process.
Xaver Schwarzenberger
Director
Marianne Mendt
Mag. Stefanie Wörmann
Gisela Schneeberger
Sophie Kurtz
Karl Markovics
Georges Haider
Jeanette Hain
Sandra
Dagmar Koller
Frau Prof. Dr. Klotilde Aichholzer
Erwin Steinhauer
Direktor Leopold Wörmann
Nora Heschl
Tessa Kurtz
Wolfgang Gasser
Dr. Karl Merlet
Alfons Haider
Hannes Seiler
Julia Gschnitzer
Caroline Merlet
Hary Prinz
Georges Haiders Freund
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.