Five Nights at Freddy's—Exciting Game Adaptation or Boring Snoozefest?
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.

A tourist walks into a Dublin pub looking for directions and encounters Ding Dong Denny O’Reilly at the bar. Ding Dong insists on telling him the ‘real’ history of Ireland over a number of pints. From the Normans to the Famine to 1916 and the sex shops of O’Connell Street, we hear Ding Dong Denny’s delusional take on events that shaped this nation. Ding Dong is a comic creation of comedian Paul Woodful, and is his first adventure into animation.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.