Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Dile a Laura Que La Quiero (1995)
Happily married Jorge finds himself attracted to the beautiful Estrella, but when his wife, Laura, discovers his infidelity and promptly moves out, he vows to do whatever it takes to win her back in this Spanish screwball comedy. Jorge's madcap schemes become increasingly complicated, and he becomes even more desperate when Laura begins spending time with a handsome young singer.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Happily married Jorge finds himself attracted to the beautiful Estrella, but when his wife, Laura, discovers his infidelity and promptly moves out, he vows to do whatever it takes to win her back in this Spanish screwball comedy. Jorge's madcap schemes become increasingly complicated, and he becomes even more desperate when Laura begins spending time with a handsome young singer.
Rating:
Genre:Comedy, Romance
Written By:José Miguel Juárez, Antonio Olivier, Álvaro Fernández Armero
In Theaters:1/1/1995
Box Office:
Runtime:
Studio:
Cast
Articles You May Like
Wake Up, Dead Man (Everyone's Included Until Somebody Gets Stabbed)
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
Revisiting ‘Shaft’ in 2019: The Father-Son Comedy That Cops Out
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
The Wedding Banquet (2025): A Window into Modern Day Queer Relationships
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
'The Super Mario Bros. Movie' Comes to the Big Screen
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.