Flamboyant, dashing and handsome, Kumar, is the proud father of Ravi, his only son, and his pride and joy. When Ravi grows up, he meets with Komal, both fall in love with each other and would like to get married. Ravi mentions this to his dad, who initially approves, but later relents when he finds out who Komal's dad is. Ravi is dismayed as his dad has never refused him anything. Ravi sets out to discover what the reason(s) are behind his dad's refusal to accept Komal as his daughter-in-law, a decision which will not only endanger his life, but also create a rift between father and son.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
