I Want to Spend 'Christmas With You'
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
Dieu que les femmes sont amoureuses
Anne divides her time between her children, a 16-year-old son and twins Lili and Lolotte and her work as an editor. Her life is turned upside down by the reappearance on the scene of Arthur, one of her first loves, whom she never wanted to see again. He doesn't know that he is the father of the twins but he is determined to win Anne over. The trouble is, she is surrounded by men desperate for her hand and thinks she is in love with one of them.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Anne divides her time between her children, a 16-year-old son and twins Lili and Lolotte and her work as an editor. Her life is turned upside down by the reappearance on the scene of Arthur, one of her first loves, whom she never wanted to see again. He doesn't know that he is the father of the twins but he is determined to win Anne over. The trouble is, she is surrounded by men desperate for her hand and thinks she is in love with one of them.
Rating:
Genre:Comedy
Written By:Magali Clément
In Theaters:
Box Office:
Runtime:90 minutes
Studio:M.D.G. Productions, Auvergne-Rhône-Alpes Cinéma
Articles You May Like
'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
‘Lyle’, Cool Concept, Poor Execution.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Is ‘Django Unchained’ Tarantino’s Best Film?
Building "Herself" Back Up After Psychological & Physical Trauma
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.