Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The opera singer Ludwig Löwenhaupt wants a proper festive roast for Christmas, so he buys a goose in advance to feed the whole family. What he doesn't realize, however, is that the children, Elli, Gerda and Peterle, will grow fond of the animal, which is christened Gustje, and will no longer want to eat it. After the "liberation", the "five kilos of meat", which were initially locked up in the cellar, become a pet that the children take to bed with them and communicate with. But shortly before Christmas, father Löwenhaupt still wants to slaughter them. However, as his family protests and his conscience gets in the way, he can't slaughter the goose after all. So Gustje only has to leave a few feathers as proof that she has been plucked, and the opera singer is given another goose that has already been cut up.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.
A throwback to the last months of the 20th century in this comedy film.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance