'The Royal Treatment' Comes to Manhattan
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.

Siegmund and Sieglinde find themselves drawn together during a storm. Unbeknown to them their father is Wotan, chief of the gods, who through Siegmund hopes to retrieve a ring of ultimate power. Following Longborough Festival Opera’s critically acclaimed Das Rheingold, Wagner’s epic tale of Der Ring des Nibelungen continues with Die Walküre, conducted by Longborough’s Music Director Anthony Negus, ‘who probably knows The Ring better than any other living British conductor’ (The Times) and semi-staged by Amy Lane. The predominantly British cast shows several generations of great Wagnerian singers at their best.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.