Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

In 1903, Jan Anskath and his half-brother Martin are living in Rajgorod at the border between Russia and Prussia – Jan on the Russian, Martin on the Prussian side. Both are occasionally smuggling stuff over the border. But while Jan acts from political conviction and is smuggling illegal writings over the border, Martin is only interested in the money. That is why he does not question his shadowy client when he sneaks out refugees into Russia. But then it becomes evident that the distinguished gentleman has robbed the refugees from all of their belongings, only to turn them over to the authorities of the Czar.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.