It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

Grim, recently retired 'iron judge' Ernst Blessing lives alone with his dog since his only daughter left angrily 18 years ago. Suddenly he's informed she died in a car crash, which landed her husband, Turkish Kurd Baran Amedi, in hospital. Loner Ernst is now required to mind his grandchildren, which he didn't even know having, resourceful rebel Dilo and his brat sister Hewi. Both sides' prejudices and principles are tested in practice. When Dilo finally respects Ernst and wins his heart, Baran arranges for the kids' 'repatriation' with a backward uncle.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
Wolverine carries Deadpool - literally and figuratively
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.