Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

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Die Firma dankt 

Just now, Adam Krustenstern was the recognized head of the development department of his company, but it was taken over by a global player. A wave of dismissal swept away most of his colleagues. But Adam was invited to the company's guesthouse for a weekend. It seems to be about his professional future. But target agreements or requirement profiles are not mentioned. For relaxation and holidays. But also from Challenge and High Engagement. Adam is under pressure to prove what he can do. But whom? And how? Nothing of what he has represented so far seems to mean something.
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Just now, Adam Krustenstern was the recognized head of the development department of his company, but it was taken over by a global player. A wave of dismissal swept away most of his colleagues. But Adam was invited to the company's guesthouse for a weekend. It seems to be about his professional future. But target agreements or requirement profiles are not mentioned. For relaxation and holidays. But also from Challenge and High Engagement. Adam is under pressure to prove what he can do. But whom? And how? Nothing of what he has represented so far seems to mean something.

Rating:
Genre:Comedy, TV Movie
Directed By:Paul Harather
Written By:
In Theaters:
Box Office:

Runtime:85 minutes
Studio:ARD

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'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso