Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

In a desperate attempt to rescue his critically ill son, a father risks everything by crossing the border with his two boys into the United States. His optimism of saving his son disappears when a ruthless band of violent murderers, driven by hatred for undocumented immigrants, cruelly murders him at the border. Years later, one of the sons, now a grown-up facing his own tragic illness, realizes he has just 30 days to live. Instead of giving in to despair, he embarks on a final journey to track down and punish those guilty of his father's death.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.