Kaitou Kid dares to challenge the police once more, setting his sights on the Russian Imperial Easter Egg. With the date, time, and place, the Osaka police force scrambles to stop him. But this time, Kid may have bitten off more than he can chew—Conan Edogawa, Heiji Hattori, and numerous others are also trying to get their hands on the jeweled egg.
Kenji Kodama
Director
Minami Takayama
Conan Edogawa (voice)
Kappei Yamaguchi
Shinichi Kudo / Kaito Kuroba (voice)
Wakana Yamazaki
Ran Mouri (voice)
Akira Kamiya
Kogoro Mouri (voice)
Chafurin
Juzo Megure (voice)
Kaneto Shiozawa
Ninzaburo Shiratori (voice)
Wataru Takagi
Genta Kojima / Wataru Takagi (voice)
Unsho Ishizuka
Inspector Nakamori (voice)
Nobuo Tanaka
Shintarō Chaki (voice)
Kenichi Ogata
Hiroshi Agasa (voice)
Megumi Hayashibara
Ai Haibara (voice)
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.