‘My Big Fat Greek Wedding 3’ is a VICTORY for queer representation
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.

Pia Sjögren was the subject of three documentaries by director Tom Alandh, beginning in 2001. He first saw her on the street selling newspapers, homeless, addicted to drugs, trying to make enough money for the day. Since then, she has become clean, and now gives lectures about her experiences, sharing her knowledge. This is the fourth film about her, filmed between 2011-2020. At the start of this installment, Pia has recently begun having heart and breathing issues, her own daughter is in prison for narcotics, and her mother, who we were introduced to in previous installments, continues to struggle with rapidly decreasing eyesight.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.