Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After being fired as barbers, Bernt and Nils get jobs working for an employee at a large department store. They become embroiled in the rivalry between two bosses, Ålberg and Hagen, who are both competing for a prize of 5,000 kroner for the best act at the company's autumn fair. Ålberg has no scruples and resorts to both cheating and kidnapping.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
'Brother' is a gripping family drama with dazzling performances all around.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.