A group of ranchers, led by Colonel Arnold and Ward Gordon, are drilling an oil well but getting fierce opposition from an unknown gang of outlaws. Eastern promoter J.B."Dude" Dawson, is behind the gang as he is out to prevent the co-op members from striking oil before their lease expires, so he can secure the property for his company. When Ward, with the help of Arnold and his daughter Sally, arranges for a new driller to be brought in, the replacement man is killed and one of Dawson's men takes his place.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
