
Now that the Queen of Hearts is nice and Cinderella is safe, things seem perfect for Red and Chloe… But little do they know that changing the past created a new villain — Maddox Hatter. When Maddox captures the Queen of Hearts, Red and Chloe must work alongside Red’s new sister Pink, Luisa Madrigal’s son Luis, and Maddox’s son Max to save her and Wonderland.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
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This fantasy movie released on Disney+ has strong topics and themes related to magic.