Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Des... Espoirs
Amine is a brilliant young architect who, despite a successful career, mistrusts women due to trauma from his youth. That all changes the day he meets Leila, a beautiful cabaret dancer. He falls madly in love with her and dreams of stealing her away. However, Leila is indebted to Momo, her violent and jealous patron. Will Amine be able to overcome his past to succeed in the present?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Amine is a brilliant young architect who, despite a successful career, mistrusts women due to trauma from his youth. That all changes the day he meets Leila, a beautiful cabaret dancer. He falls madly in love with her and dreams of stealing her away. However, Leila is indebted to Momo, her violent and jealous patron. Will Amine be able to overcome his past to succeed in the present?
Articles You May Like
Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
‘A Quiet Place’: One of the Best Modern Horror Movies
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
Hokum: A Balance of Cheapness and Luxury
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
A Spoiler-Free Review of 'Glass Onion: A Knives Out Mystery'... I Promise!
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.