Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

After a long, arduous hunt, Derek Ho, Singapore's first serial killer has been captured, tried and sentenced to death. As he awaits his fate in prison, a team of top psychologists is assigned to interview him. They must find out if he has any information on a list of women reported missing during the period of his killing spree. It takes a young, ambitious member of that team, Dr Winnie Low, to break through to the stubbornly reticent Derek. Winnie embarks on a journey to solve the mystery, unlocking a secret deep within Derek's past... one that gives her an insight into how he went from an ordinary man to extraordinary killer.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.