In his documentary film, Karl Saurer recounts the history of Switzerland's largest reservoir, located near Einsiedeln in the canton of Schwyz. The film brings to life the landscape of the vast Sihl plain, which was flooded in 1937 to generate electricity for rail transport. The dam affected the livelihoods of more than 1,700 people; 107 farms were flooded. Saurer tells a story of colonialism in central Switzerland. In his film, he paints a picture of this event and the associated contradictions and conflicts between the agricultural mountain region and the industrialized lowlands, regional and national aspirations, and economic and ecological interests. Old and new footage and conversations with construction workers and displaced farmers make it clear that the wounds left by the construction and concession in the high valley have not yet healed.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
