EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Carlo del Ponte, a pop star celebrated in the U.S., travels to his hometown of Santa Clara, Italy, to take some time off. Not only does Carlo find himself caught up in an armed robbery there, but his pretty cousin Antonella is missing her father and believes he has fallen victim to the old family feud between the del Pontes and the Tartinis. Now Carlo is supposed to help resolve the matter as peacefully as possible.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.