Young Anna Hallbauer, daughter of a blind trumpeter, is suspected of infanticide. In the winter of 1802, children playing in a pond near the village of Sanden found the body of a newborn baby. Heinz Schirmer, a geographer appointed by Baron von Droste, has enough evidence to bring Hallbauer to trial. In the course of the proceedings, in which he believes he is serving absolute, infallible justice, he suddenly finds himself entangled in the crime...
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
