From one day to the next, the life of married Ulla Kranz is turned completely upside down. She has spent 23 years at Werner's side, they have been through thick and thin and have a daughter together named Jenny. When her husband suddenly confesses to having an affair with the attractive and considerably younger Marion, her world falls apart.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
