From one day to the next, the life of married Ulla Kranz is turned completely upside down. She has spent 23 years at Werner's side, they have been through thick and thin and have a daughter together named Jenny. When her husband suddenly confesses to having an affair with the attractive and considerably younger Marion, her world falls apart.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
