Peter Sandmann, the charming owner of a marriage institute, is a brilliant matchmaker. His problem: all the candidates would love to share a table and bed with him straight away, but the lively mini-playboy is extremely reluctant to exchange rings. This inevitably leads to some turbulence in his love life...
Erich Neureuther
Director
Elmar Wepper
Peter Sandmann
Mijou Kovacs
Jutta Liebrecht
Harald Leipnitz
Dr. Oscar Thorwald
Veronika Faber
Elvira Goldmann
Michael Fitz
Herbert Feldmann
Simone Rethel
Annelies Meyer
Kurt Weinzierl
Dr. Georg Weisshaar
Billie Zöckler
Andrea Morgenstern
Sima Beatrice Bürgin
Hildegard Kies
Evelyn Gressmann
Mona von Marburg
Sibylle Nicolai
Marion Weisshaar
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Looking back at the representation of different cultures in the magical world of Harry Potter