‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Shuichi and Rina are a twenty-something couple living together. Shuichi is working as a fiction editor for a book publisher, while Rina is unemployed, since she finds it hard to keep a job. When Shuichi's colleague runs away because of their terrible boss, Shuichi suddenly gets reassigned to work with Nishikawa, a stuck-up author who writes banal but popular self-help books. Rina gets hired to be his editor by complete chance, since Nishikawa ends up liking her out-of-the-box thinking. When Rina starts to succeed while Shuichi struggles, the problems in their relationship start to become apparent.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.