"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Shuichi and Rina are a twenty-something couple living together. Shuichi is working as a fiction editor for a book publisher, while Rina is unemployed, since she finds it hard to keep a job. When Shuichi's colleague runs away because of their terrible boss, Shuichi suddenly gets reassigned to work with Nishikawa, a stuck-up author who writes banal but popular self-help books. Rina gets hired to be his editor by complete chance, since Nishikawa ends up liking her out-of-the-box thinking. When Rina starts to succeed while Shuichi struggles, the problems in their relationship start to become apparent.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
"Thunder Road" presents the grief that comes from a family member taking their own life.